Commissioned by the Opera del Duomo for the Cathedral of Florence, the statue was originally intended to be one of a series of prophets to be positioned along the roofline of the east end of Florence Cathedral. However, its placement was later changed.

Carved from a single block of marble, the statue stands at a towering 17 feet tall, making it a marvel of scale and beauty. The marble used was sourced from the famed quarries of Carrara in Northern Italy.

Michelangelo chose a block of marble that had been previously worked on and abandoned by other artists. This block was known as "the Giant," due to its massive size and the challenge it presented.

David represents the biblical hero who defeated Goliath, symbolizing the triumph of good over evil. This was particularly resonant for the Republic of Florence, as it saw itself as a small but righteous power.

Unlike previous representations of David, which portrayed the aftermath of the battle, Michelangelo's David is depicted before the fight, tense and ready for action. This anticipation of movement is one of the statue's most striking features.

The statue's gaze, often interpreted as a look of warning, reflects the political climate of Florence, vigilant against larger, surrounding states.

Originally placed in the Piazza della Signoria in 1504, the statue was moved to the Galleria dell'Accademia in Florence in 1873 to protect it from damage. A replica now stands in its original location.

The placement of David in the Piazza della Signoria was a political statement, symbolizing the defense of civil liberties embodied by the Florentine Republic.

The impact of David on the Renaissance and beyond cannot be overstated. It has inspired countless artists and has become a symbol of humanist ideals.

Cracks in the statue's legs and ankles have raised concerns about its stability. These are believed to be caused by the weight of the statue and the uneven distribution of that weight.

In preparation for the statue's 500th anniversary in 2004, a major cleaning and restoration project was undertaken. This was the first thorough cleaning the statue had undergone since 1843.

Efforts to preserve David also include monitoring the statue with digital technology, allowing conservators to detect any potential issues early.

Replicas of David can be found all over the world, from full-size copies in museums to miniature versions in souvenir shops. This widespread reproduction speaks to the statue's universal appeal.

The image of David has been used in various forms of media, including films, advertisements, and even political campaigns, often symbolizing strength and beauty.

Controversies have occasionally arisen over the nudity of the statue, reflecting changing societal attitudes towards art and obscenity.

The contrapposto stance of the statue, where the weight is shifted onto one leg, was revolutionary at the time and contributed to the dynamic quality of the sculpture.

Michelangelo's detailed work on the veins and muscles of David showcases his deep knowledge of human anatomy, which he studied through dissection.

The precision with which Michelangelo captured the human form in marble demonstrates not just technical skill but a profound understanding of the material's possibilities and limitations.

Despite the statue's massive size, Michelangelo achieved a level of detail and realism that remains unparalleled, making David not just a feat of engineering but a work of art that continues to inspire awe and admiration.

The choice to depict David with an oversized head and hands has been the subject of much debate among art historians. Some suggest it was intended for viewers looking up at the statue from below, while others believe it was a deliberate stylistic choice to emphasize the theme of intellect and strength.