Watch Drake Get Turned Away From the Heat Locker Room

Last night in the world of sports, the Miami Heat won the NBA Finals. Drake was there! And because he is a friend of LeBron and a famous rapper and generally the type of person who has access to important places, Drake tried to go into the Miami Heat locker room after the game. That did not work out. Please watch as Drake is informed that he needs a media pass, to which he responds, “I am fucking media. [Read More]

Watch Jim Carreys Gay Sex Scenes From I Love You Phillip Morris

The U.S. release of Jim Carrey–Ewan McGregor gay prison romance I Love You Phillip Morris might never happen owing to the ongoing legal battle between its producers and a payment-withholding distributor — so this leaked video may be your only chance to see the two NOT SAFE FOR WORK Carrey-starring gay sex scenes that are presumably scaring away distributors with enough money to actually put this movie in theaters. There are no peens on display here, but lots of thrusting and salty language. [Read More]

Watch Miley Cyrus Roll Around in Bed in the Video for Adore You

Officially set to drop later today, Miley Cyrus’s latest video (leaked last night) features Cyrus re-creating the under-the-sheets opening scene of The Counselor and pantomiming what it looks like when she takes a shower. Apparently no one taught her that it’s unhygienic to touch one’s face that much.

Watch the Video for Miley Cyrus’s ‘Adore You’

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Watch The Hunger Games Reenacted by Gingerbread Cookies

May the odds be ever in your sugar.

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The Mary Sue Hunger Games Reenacted by Gingerbread Cookies

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Watch the Trailer for Will Arnetts Netflix Show Flaked, in Which He Sort of Plays a More Upbeat,

When it comes to handsome dirtbags, Will Arnett has explored every facet of the character trope. Unhinged handsome dirtbags, depressed handsome dirtbags, gay businessman handsome dirtbags, handsome dirtbags who through a series of unfortunate events end up being roommates with their moms: Will Arnett has done them all. In Netflix’s new comedy Flaked, premiering March 11, Arnett’s Chip is a kinder, more rueful dirtbag, living in Venice Beach, working on his recovery from addiction, and trying his best not to pursue his friend’s crush. [Read More]

We Deserve Better Than Rosewood

Morris Chestnut as Dr. Beaumont Rosewood Jr. Fox is looking for a new cop or cop-adjacent procedural. It’s part of a network’s balanced breakfast these days. They have a reality-contest workhorse: Survivor, The Voice, The Bachelor, MasterChef. Something a little flashier than the rest of the lineup: The Good Wife, How to Get Away With Murder, Empire, The Blacklist. A network stalwart still going strong: Grey’s Anatomy, Bones, Law & Order: SVU, NCIS. [Read More]

Well Be Yelling About Emilia Prez Long After Cannes Is Over

Most people at the 2024 film festival seem to love the movie, and the ones that hate it, really hate it. Fearless in its ridiculousness, Jacques Audiard’s Emilia Pérez, a cross between Mrs. Doubtfire and Sicario reimagined as a musical, hit Cannes like a tidal wave Saturday night, drawing extended rounds of applause not just at its gala premiere (where standing ovations are common) but also at its press screenings (where they’re not). [Read More]

Were in a Silly Song Summer

In an era of rending horrors, nothing smooths those pesky wrinkles out of your brain like a nonsense bop. One of the biggest hits of World War II was the soundtrack to a Donald Duck cartoon. In the 1980s, novelty hip-hop songs like Biz Markie’s “Just a Friend” served as a counterpoint to Ronald Reagan’s horrendous policy decisions. And, as “Planet of the Bass” has demonstrated, a whole subgenre of laughable EDM emerged after the fall of the Iron Curtain in the early ’90s. [Read More]

What Are We to Do With All This Nastiness?

The long-standing cold war between Drake and Kendrick Lamar came to a head over the weekend in a gauntlet of diss tracks and rapid responses that challenged both rap heavyweights’ character in music and outside of it. The tone of the feud to this point had consisted mostly of jokes about shoe sizes and tier rankings of popular rappers. But Drake’s “Family Matters” and “The Heart Part 6” — and Lamar’s “meet the grahams” and “Not Like Us” — were each calculated acts of reputational damage and self-repair whose speed, density, and discursiveness bore a closer resemblance to a quick and rugged social-media dustup than rap beeves of the past, disagreements which cooked on a much lower simmer. [Read More]